Many fundraisers have inherited the philosophy and practices of donor-centric fundraising. Community-Centric Fundraising (CCF) challenges us to reexamine traditional models of fundraising.

Carlos García León draws on their past experience at Cincinnati Opera to describe how CCF is transforming the company’s fundraising practices. Cincinnati Opera is adopting a community-centered lens. This affects everything from the language used in direct mail to how donor events are planned and executed. These changes have helped their fundraisers feel more empowered. Furthermore, both the number of donors and annual giving amounts have increased.

Tessitura's DEAI learning series aims to elevate ambitious ideas and effective initiatives. We hope to inspire you to advance diversity, equity, accessibility, and inclusion in your own institutions and in the arts and culture sector.

This series of virtual events is co-curated by the Community subcommittee of Tessitura's internal DEAI Committee, along with the Community DEAI Advisory Committee, comprised of 12 global members employed by an organization using Tessitura.

Presenter:

  • Carlos García León - Individual Giving Manager, Chicago Shakespeare Theater

Download Presentation >

Additional links:

In This Playlist

Slide with colorful graphic design and the title "Community-Centric Fundraising, the Beginning" in white on a dark background

How Community-Centric Fundraising made me a better fundraiser

43 MIN
  • Meet the presenter
  • Fundraising history
  • Intro to Community-Centric Fundraising (CCF)
  • What has CCF done?
  • Interaction with Tessitura
  • Main takeaways
  • Resources
  • Q&A
Headshot of Carlos Garcia Leon

Carlos García León

Individual Giving Manager
Chicago Shakespeare Theater

Carlos is a queer, non-binary, Latine, Mexican-Statesian, and fundraiser.

They were born in Atlixco, Puebla, Mexico, but recently moved to the stolen land of the Peoria, Potawatomi, Kickapoo, and Kaskaskia tribes, also known as Chicago, Illinois. While having an orchestral background, Carlos went on to work in opera with Cincinnati Opera, and currently is the individual giving manager of Chicago Shakespeare Theater. Their work, both in the arts and through writing, is driven by a fight for cultural equity, decolonizing the arts, and social justice. 

Carlos holds a BM in Bassoon Performance from the University of Illinois at Urbana-Champaign, an MA in Arts Administration and an MBA from the University of Cincinnati. Outside of working and writing, Carlos likes to stream TV and movies, read a good book, learn German, take naps under their weighted blanket, drink milkshakes, and look for the next poncho to add to their collection.

Topics

DEAI

/

Fundraising